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Untold Tales





                                   By Nandini Tyagi (MYP 5)




























                                                                                    Once
                                                                                 upon       a
                                                                      time, Happily-Ever-Afters,
                                                                 Prince Charmings, all things
                                                               Brothers Grimm, and Hans Chris-
                                                            tian Anderson fed my imagination. As
                                                            my reading preferences evolved, my
                                                           fascination morphed into a new interest
                                                         in the sub-genre: fairy tales retellings. I real-
                                                       ised that there is more to fairy tales than magic,
                                                      wonder and a world neatly divided into good or
                                                   evil, black or white. A world unexplored. A grey. It
                                                 drew me to revisit fairy tales, this time from a differ-
                                                ent perspective. Interestingly, fairy tales were originally
                                              written for adults and later adapted as children’s tales in
                                             the 19th Century. The retellings take familiar characters and
                                            storylines, twisting them to mirror modern values. The 21st
                                          Century authors dive deeper into familiar archetypes creating
                                         more complex and dynamic characters, revealing layers of emo-
                                        tions and even evoking sympathy for antagonists in readers, mak-
                                      ing them real, likeable even. Non-traditional publishing, audio
                                      books, podcasts, OTT platforms and cinema make allowances for
                                      creative minds to push the envelope, making way for new inter-
                                      ventions in storytelling. Personally, the darker and less-chip-
                                    per tales fascinate me. I lean towards them because they shift
                                 the lens where a princess doesn’t need a prince to rescue her,
                              there is no promise of a happily ever after and all stepmothers
                            are not evil. They break stereotypes and outdated values writ-
                            ten into stories. A woman transforming for the man she loves,
        58                be it Cinderella or The Little Mermaid, no longer concur with the

                          ideals of equality and independence that I believe in. Perfection
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